Acoustic architecture

Calibrated theatrical mixing stages

Engineered to sub-20Hz linear bass decay parameters, our dual Dolby Atmos mixing suites deliver absolute translation from intimate nearfield editorial to high-output theatrical projection.

Signal path

Physical hardware architecture

Every monitoring stage pairs discrete analog signal processing with custom acoustic baffling designed for uncolored spatial reproduction.

Monitoring
Processing
Foley Stage

Dolby Atmos 7.1.4 array

Analog outboard racks

Decoupled resonance pits

Tri-amplified PMC main monitors and Genelec coaxial surrounds flush-mounted into decoupled soffit walls, calibrated flat down to 18Hz.

Discrete tube preamps, precision optical compressors, and passive inductors providing harmonic density before master archival conversion.

Multi-surface variable acoustic bays containing gravel, aged white oak, iron grating, and water tanks miked with matched condenser pairs.

Calibration standards

Architectural isolation metrics

NC-15

ambient room noise rating

< 18Hz

linear sub-bass decay threshold

120 dB

uncompressed dynamic headroom

1,400 sq ft

floating concrete footprint

Arrange stage playback

Private stem review bookings and calibration listening sessions available for directors and audio supervisors in Los Angeles and London.